Novena, garlic, onion, ginger and banana leaf, dimensions variable, 2022

Novena, garlic, onion, ginger and banana leaf, dimensions variable, 2022

In Patrick Cruz’s new work Novena (2022), the artist alludes to the devotional practice of nine

days of consecutive prayer that many devout Filipinx/o/a Catholics partake in, usually to

petition for special requests. For many Filipinx/os/as in the homeland and in the diaspora,

devout Catholicism is syncretically entangled with folkloric beliefs and actions. The novena, like

ancestral invocations, is predicated upon intense belief and commitment and veneration of the

sacred. Cruz adopts the role of the devotee who conjures spells and enacts prayerful actions as

a spiritual aesthetic praxis.

The artist has placed the holy trinity of Filipino food: garlic, onion, and ginger (bawang,

sibuyas, luya) on banana leaves on the gallery floor. These foods are base ingredients in

Filipino cuisine and are known for their medicinal qualities. Coincidentally, they are also used

to ward off evil supernatural forces in Philippine folklore. Arranged in the configuration

reminiscent of a mandala – a repetitive circular pattern used for meditation, Cruz’s offering

demarks a space of care that provides physical and spiritual immunity from forces seen and

unseen.

There is no “pre-colonial” or “Christianised” moment here. Unlike modernism’s progressist

march into the future, Cruz proposes an ethic of care in the present that recognizes comingling

temporalities and epistemologies that attends to the nuanced specificity of Filipinx diasporic

consciousness and spirituality. By warding off harm – both supernatural and institutional – the

artist extends his artistic practice of care to those around him to produce futures of wellbeing.


-Marissa Largo

X Marks the Spot: Filipinx Futurities

Gales Gallery / York University

July 13th – July 22nd, 2022


Artists:

Patrick Cruz X Excel Garay

Julius Poncelet Manapul X John Ephraim Velasco

Ella Gonzales X Revill Villanueva

Curated by Marissa Largo